We started in Kliptown at the Walter Sisulu Square, the site where the freedom charter was adopted in 1955 as a guiding document for the ANC. The Freedom Charter Monument, a tad reminiscent of Great Zimbabwe's architecture, is frequented by a man with a penny whistle playing Nkosi Sikelel'i. I quite like the monument but I'm not the biggest fan of the penny whistle guy.
A guide from the Kliptown Youth Foundation walked us around the dusty informal settlement adjacent to the square which is home to over 45000 people. He works at a soup kitchen and hostel for local children. There is no running water or sanitation here -- instead, a tap that waters a thousand, and the occasional porter-loo that each service a dozen families, if not more. The Germans were quite taken aback at this point. It reminds me of parts of West Caprivi, only on a grand and much more urbanised scale. I bought onions and avocado to take back to Wisteria Lane.
The next weekend was busy and explorative too. My Ethiopian-American former-war-correspondent friend took me to the Ethiopian quarter of the bustling CBD in downtown Jo’burg...in his car that was stolen and miraculously recovered a year later, with a bullet hole in the back. There are some fifty thousand Ethiopians in this city, apparently. We idled in a few stores before heading into the unnamed restaurant on the third floor of what used to be a key medical practitioners’ building in the city. There at a plastic table in a cosy, clean, wood-panelled room probably once used by an expensive medical consultant, we indulged in fabulous Ethiopian food for the princely sum of R25.
I bought Ethiopian coffee on the way out, and then we tussled with the traffic and the taxis before heading to Sandton for the annual Joburg Art Fair. What a juxtaposition it was after Little Ethiopia: I could have been in London. The young, the artsy and the metrosexuals were all out and about, and the quality of the art was high. I bought a hot chocolate halfway for the same price as my entire Ethiopian lunch, and people-watched from the comfort of a large black sofa, as if I were at Tate Modern...
No comments:
Post a Comment